Beetlejuice Beetlejuice cleverly orchestrated THAT Jeremy twist early on in the film

When Beetlejuice The film first hit theaters in 1988 and combined the macabre and humor in a way that has captivated audiences throughout the centuries. Well, with Beetlejuice Beetlejuice, Tim Burton brought back his signature gothic visuals and quirky, outlandish characters with deep human emotions. However, the film is not without its bizarre twists – one of the biggest involving Jeremy, played by Arthur Conti. From the moment the audience is introduced to him sitting up in that treehouse, there’s something that just… out of. It’s as if the film is giving viewers a hint that there’s more to it than meets the eye.

It’s easy to mistake him for just another complex, quirky character who fits perfectly into the wild Beetlejuice Universe. But anyone who has ever seen a Tim Burton film knows that things are never that simple. He is a master at hiding secrets from the public eye and intensely pursuing the revelation. So it makes sense that Astrid and (Jenna Ortega) Jeremy’s first meeting isn’t just a friendly meeting. Rather, it sets the stage for something dark and sinister. The filmmaker even includes a reference to it Fyodor Dostoyevsky“Crime and Punishment” is an indication that Jeremy has some pretty “open” ideas about ethics and morality. What’s worse is that this unsettling feeling doesn’t go away as the film progresses, and when the big twist comes to light, while it’s shocking, you feel like it was supposed to happen from the start.

Jeremy’s twisted logic in Beetlejuice 2 reflects themes of crime and punishment

First things first: When a man casually says that he has read Crime and Punishment more than once, it is not just a fun fact, but can be a clear warning sign. Burton proves once again that no small detail is a coincidence, because Jeremy’s love for Dostoyevsky’s classic novel is not just window dressing. It turns out that it is an obvious reference to his dark and, dare we say, twisted way of thinking. The novel’s main character, Raskolnikov, is the type to casually justify murder for a greater good, and Jeremy? Well, let’s just put it this way, he did the same mental gymnastics and convinced himself that trading Astrid’s life for his own wasn’t technically a bad decision.

At some point in the novel, Raskolnikov becomes so plagued by guilt that he seeks redemption. However, Jeremy must have skimmed this part of the book as he remains unrepentant on his dark path. His selective admiration for the content of Crime and Punishment is a clear indication of his distorted sense of morality, which is a harbinger of his impending betrayal. He believes his life is more important than Astrid’s – a deadly dangerous argument, and unlike most movie villains, he is not impulsive or out for revenge, but rather he is calculating and a firm believer in a twisted philosophy. When his plan comes to light, it is clear that he is sticking to this dark interpretation of the book.

Jeremy’s betrayal adds to the overall dark humor of Beetlejuice Beetlejuice

At first glance, there’s probably nothing funny about a man casually planning to trade a lover’s life for his own. But in typical cases Beetlejuice Style, the story plays up the darkness to keep the laughs coming. Although his plan is as sinister and creepy as it gets, it still inspires some laughs down the line. First, it’s almost absurdly straightforward, and it’s in that absurdity that the humor comes in. The real comedic kick, however, comes in Jeremy’s final scene, when the title character Betelgeuse mocks Jeremy’s obsession with Dostoyevsky’s novel. With his trademark sneer, he says, “I think it was Dostoyevsky who said… ‘Later, damn it!'” The whole thing not only defused Jeremy’s drumroll moment, but also reminded viewers that in Betelgeuse’s world, even the darkest Element can become a joke in a split second.

This type of humor is no stranger to this Beetlejuice In fact, the first film borrowed from this with moments like the infamous dinner scene in which the dead take possession of the living and force them into a joyful “Day-O” calypso rendition. What could have been just an annoying spook turned into a hilarious spectacle. Jeremy’s betrayal follows suit, turning something generally exciting into a moment of amusement. By infusing humor into Betelgeuse’s one-liners and the sheer absurdity of Jeremy’s overcomplicated motives, the film keeps things light even when they get tricky.

Beetlejuice Beetlejuice is in theaters now.

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