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IND vs. BDESH 2024/25, IND vs. BAN 2nd test match report, September 27th – October 1st, 2024

IND vs. BDESH 2024/25, IND vs. BAN 2nd test match report, September 27th – October 1st, 2024

Bangladesh 107 for 3 (Mominul 40*, Shanto 31, Akash Deep 2-34) vs India

A drizzle ensured there was no play on the second day of the second Test between India and Bangladesh in Kanpur. The entire area remained covered throughout the day. At times, three Super Soppers came out and ran across the ceiling, but there wasn’t much the ground staff could do beyond that.

It drizzled steadily until about 10 a.m., but after that the rain was so light that the game could have continued had it still been in progress. However, there was heavy rain yesterday evening and overnight, which appears to have caused the most damage.

With no chance of an immediate start, the players returned to their hotel around 10:20 a.m. Finally, at 2 p.m., the referees stopped the fight.

Things went only slightly better on the first day. A combination of rain and poor light allowed just 33 overs in which Bangladesh scored 107 for 3. After India won the toss, which was delayed by an hour, Rohit Sharma opted to bowl. This is not what India normally does at home; The last time they chose to bowl first in a home Test was nine years ago: against South Africa in Bengaluru in 2015. Coincidentally, that Test was also marred by rain.

Bangladesh openers Zakir Hasan and Shadman Islam survived Jasprit Bumrah and Mohammed Siraj’s openers. But Akash Deep dismissed both of them soon after to give India the lead. Mominul Haque and Najmul Hossain Shanto then steadied the innings before R Ashwin ended his 51-run stand by trapping Shanto lbw. However, before either team could gain a significant advantage, the weather intervened.

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Ongoing cockroach problems. Flies. Leaks. Wichita KS restaurant, hotel inspections

Ongoing cockroach problems. Flies. Leaks. Wichita KS restaurant, hotel inspections

Seventeen restaurants, hotels and other businesses in and around Wichita were out of compliance during food safety and lodging inspections conducted by the Kansas Department of Agriculture from Sept. 15-21.

They were cited for a number of violations, including ongoing cockroach infestations, flies landing on food and surfaces that touch food, moldy bathtub caulking, water leaks, missing information and equipment, dirty equipment, missing smoke detectors and fire extinguishers, foods that weren’t stored at safe temperatures, an employee who didn’t wash their hands and more, according to inspection reports.

Information about the food establishments and hotels and motels, as well as a summary of their violations, appears below. All of the businesses listed are located in Sedgwick County. The list was compiled Sept. 25.

More than 40 establishments passed their inspections Sept. 15-21. A list of those also appears below. Some may have been non-compliant in previous weeks.

Business owners and managers can contact Eagle reporter Amy Renee Leiker at 316-268-6644 or [email protected] to comment on inspection results that appear in this story. Comments will be added to the online version of this article.

More details about inspections are in The Eagle’s searchable database of non-compliant restaurant and hotel inspections at www.kansas.com/databases.

Out-of-compliance inspections

54 Craft & Co., 549 S. Rock Road in Wichita — One violation on Sept. 16 during a follow-up inspection. Water wasn’t hot enough at a three-compartment sink. Next inspection: Nov. 16.

Andy’s Frozen Custard, 10788 W. 21st St. in Wichita — Three violations on Sept. 17 during a routine inspection. Water wasn’t hot at a bathroom sink, containers of brownies and candies didn’t have lids on them to protect them from contamination including from flies, flies in restaurant were landing on food and surfaces that touch food. Next inspection: Sept. 27.

Andy’s Frozen Custard, 3425 E. Douglas in Wichita — Three violations on Sept. 18 during a routine inspection. Water wasn’t hot at a bathroom sink, flies in the restaurant were landing on food and surfaces that touch food, a fly landed on brownies that weren’t covered. The next inspection date wasn’t provided.

Baymont Inn & Suites by Wyndham Wichita East, 12111 E. Central in Wichita — Sixteen violations on Sept. 17 during a complaint inspection. There was no cleaning or sanitizing solution in the fitness rooms for guests to use, no towels in the fitness room, no ground fault circuit interrupter (GFCI) outlets by sinks in some rooms, emergency lights didn’t work, carbon monoxide detectors weren’t checked every six months, smoke alarms didn’t work in two rooms, issue with smoke alarm testing logs, broken microwave, freezers in rooms had individual ice trays in them which isn’t allowed, moldy bathtub caulking, bottles of floor and surface cleaners weren’t labeled, the carbon monoxide detectors in the boiler room and the laundry room weren’t working, no carbon monoxide detector testing logs on site, smoke alarms aren’t checked every six months, no single-use gloves in laundry room. Next inspection: Sept. 27.

Chick N Max, 3520 N. Maize Road, Suite 200 in Wichita — Four violations on Sept. 18 during a routine inspection. Several foods including cheeses and chicken weren’t cold enough in a refrigerated preparation table, leaky carbonator below soda dispenser, hand-washing sink was blocked by a drink cooler and a bucket, equipment including lids and spatulas were still dirty even though they were in clean storage. Next inspection: Sept. 28.

Delux Inn, 8401 W. Kellogg Drive in Wichita — Nine violations on Sept. 17 during a complaint inspection. No records showing carbon monoxide detectors are checked every six months, bottle of air freshener wasn’t labeled, no single-use gloves in laundry room, leaky sink in laundry room, no fire extinguishers on the outside of the motel, no records showing smoke detectors are checked every six months, no emergency management plan available to employees, no smoke detectors in some rooms, battery is missing in a smoke detector. Next inspection: Sept. 27.

Economy Hotel Plus Wichita, 5805 W. Kellogg Drive in Wichita — Three violations on Sept. 17 during a follow-up inspection. Leaky pipe in laundry room ceiling and standing water in the basement, water was coming from under the door for the electrical and sprinkler room, standing water in the hallway, trash and dirt on carpets throughout the building. Next inspection: Nov. 17.

Fat Ernie’s Family Dining, 2806 S. Hydraulic in Wichita — Five violations on Sept. 18 during an inspection that was a follow-up to an administrative order. A pitcher was blocking hand-washing sink, cockroaches in cabinets and in dining room, cockroaches in kitchen, flies, large gap above screen door in kitchen, several dead insects in building including bugs next to bakery supplies and in clean containers, dead cockroaches, containers and pans soiled with sticker residue were in clean storage. Next inspection: Nov. 18.

Fish and More, 2021 S. Oliver in Wichita — Four violations on Sept. 17 during a routine inspection. Cooked food wasn’t held at a safe temperature, no probe food thermometer, catfish nuggets and catfish steaks weren’t kept hot enough, there isn’t a hand-washing sink in a shed where the restaurant prepares yams and cornbread. Next inspection: Sept. 27.

Jacky Chan Sushi, 7820 E. Harry in Wichita — Six violations on Sept. 19 during a routine inspection. Cooked rice left at room temperature, cabbage and cooked pork weren’t held at safe temperatures, no paper towels at bathroom sink, tuna was thawing in intact vacuum packaging, missing information related to cooking and storage procedures for cooked sushi rice, no soap at sink, sushi rice wasn’t labeled with the time it was made. Next inspection: Sept. 29.

Magnolia Cafe, 2424 N. Woodlawn, Suite 111 in Wichita — Nine violations on Sept. 19 during a routine inspection. Several containers of food including chicken salad and sausage gravy weren’t labeled with the correct preparation dates, sticker residue on pans in clean storage, sanitizer stored above uncovered containers of sugar and flour, pan of raw salmon was stored above pan of cooked sausages, bottle of degreaser wasn’t labeled, restaurant doesn’t have a disclosure on menu warning customers of the risks of eating undercooked or raw meats and seafood, cooked sausage wasn’t kept hot enough, the date wasn’t recorded on seafood shell stock tags, shell stock tags weren’t kept in chronological order. Next inspection: Oct. 19.

McDonald’s, 3430 S. Hydraulic in Wichita — One violation on Sept. 17 during a complaint inspection. Flies throughout restaurant. Next inspection: Sept. 27.

O.J. Watson Park Concession Stand, 2901 S. Old Lawrence in Wichita — One violation on Sept. 15 during a routine inspection. No test strips to measure the strength of chlorine sanitizer. Next inspection: Sept. 25.

Old Chicago Pizza & Taproom, 7626 E. Kellogg Drive in Wichita — Five violations on Sept. 17 during a complaint inspection. Gap in back door, flies throughout restaurant, restaurant had cans of insecticide that are rated for use in homes only, several foods including yogurt and meatballs weren’t kept cold enough in refrigeration, sticker residue on plastic containers in clean storage. Next inspection: Sept. 27.

Tom’s Lotus Garden, 822 S. Broadway in Wichita — Three violations on Sept. 19 during an inspection that was a follow-up to an administrative order. A gap around a screen door could let pests in the building, cockroaches in cooler and other areas including in kitchen and by ice machine, dead bugs and grease throughout the kitchen. The next inspection date wasn’t provided on the inspection report.

U Hungry Truck (mobile vendor/food truck), 4701 N. Glendale in Bel Aire — Four violations on Sept. 20 during an inspection that was a follow-up to an administrative order. Flies, lettuce and cheese weren’t cold enough in refrigeration, fly landed on serving spoon, employee didn’t sanitize spoon after washing it. Next inspection: Nov. 20.

Ziggy’s Pizza, 13605 W. Maple, Suite 111 in Wichita — Six violations on Sept. 16 during a routine inspection. No test strips to measure concentration of sanitizer, dirty can opener, no probe food thermometer, hard-boiled eggs weren’t labeled with their preparation dates, employee didn’t wash hands between handling dirty and clean dishes, pans of cooked chicken wings weren’t covered in the walk-in cooler. The business was in compliance during a follow-up inspection conducted the same day.

Bed bugs. Dead cockroaches. Flies. Grease. Wichita KS restaurant, hotel inspections

Cook didn’t wash after nose wipe. Feces. Bugs. Wichita KS restaurant, hotel checks

How do businesses fail inspections?

Businesses fall out of compliance when they have too many violations, issues that can cause a foodborne illness, when a problem can’t be fixed right away, such as bug and rodent infestations, and more. But most violations are minor and are corrected while an inspection is taking place.

Typically, establishments are reinspected within 10 days to ensure they are following the rules.

It’s rare for a business to shut down over a failed inspection. But it can happen. Usually, closures are temporary, voluntary and due to major problems, such as sewage backups, pest infestations, and water or power outages.

The lists in this story include only businesses from Sedgwick County. But you can search food and lodging inspection results anywhere in Kansas at https://foodsafety.kda.ks.gov/FoodSafety/Web/Inspection/PublicInspectionSearch.aspx.

Complaint? Here’s how to submit it

If you see problems at a food or lodging establishment, you can file a complaint.

To notify the state about unsavory or questionable conditions anywhere that serves or sells food to the public, email [email protected] or call 785-564-6767. You can also file a complaint at www.foodsafetykansas.org.

To report an illness you think was caused by a restaurant, food or event where food is served, contact the Kansas Department of Health and Environment at 877-427-7317 or www.foodsafetykansas.org.

Complaints about conditions at hotels and motels can be submitted at www.agriculture.ks.gov/public-resources/comments-complaints/lodging-complaint.

For more information about foodborne illnesses, visit www.foodsafety.gov.

These businesses passed inspections

  • Allen Elementary School, 1881 S. Elpyco in Wichita

  • Artichoke Sandwichbar (mobile vendor/food truck), 811 N. Broadway in Wichita

  • Breezy’s Snow Shack, 716 E. Dover Drive in Valley Center

  • Calvin’s Hamburger Haven, 2417 S. Seneca, Suite 100 in Wichita

  • Chisholm Trail Elementary School, 6015 Independence in Park City

  • Clearwater Elementary School West, 100 S. Prospect in Clearwater

  • Clearwater High School, 1201 E. Ross in Clearwater

  • Culver’s, 3220 N. Maize Road in Wichita

  • Dollar General, 3445 N. Womer in Wichita

  • DZ Ice Cream & Frozen Treats (mobile vendor/food truck), 142 S. Meridian in Valley Center

  • Friends University – Retail, 2100 W. University in Wichita

  • Grace Market, 1030 S. Oliver in Wichita

  • Haysville Middle School, 900 W. Grand in Haysville

  • Holiday Inn Express & Suites Wichita Northeast, 2340 N. Greenwich in Wichita

  • Hong Kong Express, 7900 E. Harry in Wichita

  • Lady Burritos, 204 W. Greenway in Derby

  • Leeker’s Deli on the Go (mobile vendor/food truck), 6223 N. Broadway in Park City

  • Lee’s Chinese Restaurant, 6215 W. Kellogg Drive in Wichita

  • Maize Middle School, 4600 N. Maize Road in Maize

  • Natural of Course, 8000 W. Central, Suite 100 in Wichita

  • Ossman Concessions (mobile vendor/food truck), 1221 N. Curtis in Wichita

  • Panda Express, 2760 N. Maize Road in Wichita

  • Paradise Donuts, 612 E. Douglas in Wichita

  • Pink Elephant Games and Cafe, 2431 W. Pawnee in Wichita

  • Rex Elementary School, 1100 W. Grand in Haysville

  • Riverside Cafe, 9125 W. Central in Wichita

  • Round1 Bowling & Arcade inside Towne East Square, 7700 E. Kellogg Drive, Suite G03J in Wichita

  • Scooter’s Coffee, 3123 N. Rock Road in Wichita

  • Scooter’s Coffee, 13335 W. Maple in Wichita

  • SnackShack and Us (mobile vendor/food truck), 9923 W. Binter Lane in Wichita

  • Sonic Drive-In, 1024 E. Louis Blvd. in Mulvane

  • St. Elizabeth Ann Seton Catholic School, 645 N. 119th St. West in Wichita

  • Super 8 by Wyndham Wichita North, 3741 N. Rock Road in Wichita

  • Supermercado Del Pueblo, 2128 N. Broadway in Wichita

  • Taco Bell, 6515 E. 37th St. North in Wichita

  • Taco Shop, 1652 S. Webb in Wichita

  • Tacos Uruapan (mobile vendor/food truck), 1021 S. Topeka in Wichita

  • Tanganyika Wildlife Park, 1037 S. 183rd St. West in Goddard

  • Tiendita La Pelota, 2819 S. Fees in Wichita

  • Viola Groceries, 26320 W. K-42 Highway in Viola

  • Wadadli Island Cuisine (mobile vendor/food truck), 228 S. Ceymarie Circle in Wichita

  • Walmart Supercenter, 501 E. Pawnee in Wichita

  • Whiskey Dicks, 801 S. Seneca in Wichita

  • Wichita Heights High School, 5301 N. Hillside in Wichita

  • Ziggy’s Pizza, 13605 W. Maple, Suite 111 in Wichita

Note: Sometimes addresses listed — especially for mobile vendors and food trucks — are not where food is actually served to the public. Contact those establishments directly for specific service locations.

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Could Amadeus be the most misunderstood Oscar winner ever?

Could Amadeus be the most misunderstood Oscar winner ever?

Alamy Tom Hulce and cast in a scene of Amadeus (Credit: Alamy)Alamy

(Credit: Alamy)

Released 40 years ago this month, Miloš Forman’s best picture-winning Amadeus is often accused of historical inaccuracies – but the film’s critics could be missing the point.

When it premiered 40 years ago, Amadeus drew an initial wave of praise. A historical drama revolving around the rivalry between two composers, Wolfgang Amadeus Mozart and Antonio Salieri, it went on to win eight Oscars, including for best picture. Miloš Forman took home the best director prize, Peter Shaffer won for best adapted screenplay and both of the lead actors were nominated: F Murray Abraham, who played Salieri, beat Tom Hulce, who played Mozart.

But in the years that followed, a backlash grew over what some people saw as Amadeus’s litany of historical errors. An article in The Guardian declared that “the fart jokes can’t conceal how laughably wrong this is”, and the BBC commented that “the film plays shamelessly fast and loose with historical fact”. Salieri, critics noted, was no pious bachelor (as attested by his wife, eight children and mistress), and it’s after all an odd kind of hateful rivalry when the real Mozart entrusted the musical education of his own son to Salieri. As for Mozart’s lewd humor, that cheeky insouciance was actually commonplace in middle-class Viennese society. Most egregiously of all, world-famous Mozart was not dumped in an unmarked pauper’s grave. If this is a homage to history, the complaint goes, it’s akin to Emperor Joseph II fumbling ineptly on the pianoforte and bungling every other note.

But this kind of cavilling may be missing the point. Forman’s aim for Amadeus can be seen as radically different from a typical biopic, and that was to use a fictionalised version of an epic clash between musical composers to allegorise the defining global rivalry of the mid-to-late 20th Century: the Cold War. Put simply, the film may have played fast and loose with 1784 because its real preoccupation was 1984.

Salieri is the Soviet Lada trying to be a Ford Mustang. He can’t be as great as Mozart, so he resorts to undermining and manipulating him – Paul Frazier

The film opens in Vienna in 1823. Grizzled court composer Salieri howls through a bolted chamber door that he has murdered Mozart, then slashes his own throat. Days later, as he convalesces in an asylum, a priest arrives to hear his confession. It doesn’t disappoint. Salieri recounts that as boy he made a vow of chastity to God as an expression of gratitude for, as he sees it, ushering in the providential death of his father to clear the path for his musical development.

Jump ahead some years, and Salieri is now an eminent composer in the court of Joseph II (Jeffrey Jones), where he eagerly awaits an introduction to musical prodigy Mozart. That eagerness curdles when he sees the man in the flesh – he turns out to be a lascivious vulgarian with an ear-splitting cackle. Convinced that God means to mock his own mediocrity, Salieri hurls a crucifix in the fire and vows retaliation. When Mozart’s father dies, Salieri seizes on the misfortune with a dastardly stratagem: dupe Mozart into believing that his father has risen from the grave to commission him to write a requiem, then murder him and pass off the masterpiece as his own. Mozart, feverish and besotted with drink, dies, leaving Salieri addled with bitterness and destined for obscurity.

Alamy Forman eschewed big names, casting Tom Hulce as Mozart, F Murray Abraham as Salieri, and Elizabeth Berridge as Constanze (Credit: Alamy)Alamy

Forman eschewed big names, casting Tom Hulce as Mozart, F Murray Abraham as Salieri, and Elizabeth Berridge as Constanze (Credit: Alamy)

The premise wasn’t original to Forman. Drawing inspiration from Alexander Pushkin’s taut 1830 play Mozart and Salieri, Peter Shaffer wrote a highly stylised play called Amadeus, which premiered in London in 1979. Forman, sitting in on a preview, was entranced by the dramatic rivalry and convinced Shaffer to collaborate with him, not merely to adapt the play for the screen but to “demolish the original, then totally reimagine it as a film”. Across four irascible months cloistered in a Connecticut farmhouse with Shaffer, Forman fundamentally rebuilt the narrative with a fresh palette of political resonances.

The casting process for the coveted roles of Mozart and Salieri rivaled Gone with the Wind in scope and behind-the-scenes intrigue, all of which played out over a year and involved meetings with literally thousands of actors. Kenneth Branagh was nearly victorious in landing Mozart, then got dropped from consideration when Forman pivoted to a US cast. Mark Hamill endured grueling hours of auditions, only to be told by Forman: “No one is believing that the Luke Skywalker is the Mozart.” Al Pacino lobbied hard for the part of Salieri, in competition with Mick Jagger, Burt Reynolds, Donald Sutherland and Sam Waterson. In the end, Forman eschewed splashy celebrities for Hulce and Abraham, only to have casting drama explode again when Meg Tilly, slated to play Mozart’s wife, Constanze, broke her ankle playing football: she was replaced by Elizabeth Berridge a week before shooting was to commence. With the plot rebuilt and the cast in place, more than one rivalry was poised to come into focus.

The triumph of genius

The Czech-born Forman had been a galvanising force behind the Czechoslovakian New Wave film movement in the 1960s, reaching a climax with his 1967 film The Firemen’s Ball, which satirised the absurd inefficiencies of Eastern European communism. The film was initially warmly received within the reformist milieu of the Prague Spring, but when Soviet tanks rolled into Prague the following year and organised Czechoslovakia into the Eastern bloc, Forman, tarred as a “traitor” to the state, was forced to flee to the West and found refuge in the US.

Nearly all of Forman’s film work thereafter would show glimmers of opposition to Soviet-style censorship, confinement, and concentrated power. His first success in the US, for example, 1975’s One Flew Over the Cuckoo’s Nest, depicted a mental health ward meting out cruelty and coercion to patients under the guise of benevolent care. Audiences barely needed to squint to see the asylum as gulag and Nurse Ratched as the embodiment of the drunk-on-power Soviet bureaucrat. Likewise, Forman’s 1996 film, The People vs Larry Flynt, depicted the founder of Hustler magazine squaring off against censorship at the cost of being jailed, locked up at a psychiatric facility and paralysed by an assassin’s bullet.

Alamy The film is based on a 1979 play by Peter Shaffer, which he and Forman adapted for the screen (Credit: Alamy)Alamy

The film is based on a 1979 play by Peter Shaffer, which he and Forman adapted for the screen (Credit: Alamy)

The Soviet allegory can certainly be applied to Amadeus. Perhaps Forman was less concerned with hewing to biographical facts as he was with presenting Mozart as a beleaguered type of ecstatic genius who, hostage to patronage, is stifled and finally crushed by the repressive apparatus of the state. Joseph II, absolute ruler of the Habsburg monarchy, is advised at court by a clutch of prudish sycophants who undermine Mozart’s achievements and smear his reputation. Whatever its loose correspondence to the late-18th and early-19th Centuries, this critique can be read as a stab at the USSR – a debilitatingly centralised bureaucracy hostile to insurgent ideas and innovation. But Forman showed that Mozart would get the last laugh. By the events of 1823, Salieri’s insipid, state-sponsored melodies have all been forgotten, while a few bars of Mozart draw immediate joy to the priest’s face. In the free market of popular tastes, Salieri’s mandated drivel has been suffocated by the triumph of genius.

In Forman’s hands, the Habsburg Empire bears the hallmarks of Soviet power. The masquerade balls, with their bewildering swirl of masked identities, conjure the confusion and paranoia that proliferated under the Soviet system. Salieri’s reluctant servant-spy (Cynthia Nixon) carries out covert surveillance, a nod to the 20th Century’s KGB, which had thousands of its moles burrow into the private lives of artists and dissidents. Meanwhile, Salieri’s heretical burning of the crucifix and war on God call to mind the ideological struggle between a Christian worldview and secular Soviet hubris. (After Abraham’s mother – a pious Italian woman – saw the cross-burning scene, she browbeat her son so relentlessly that he blurted out what he now tells the BBC was a lie: “I told her, ‘mum, that was an extra – somebody else threw it in there!'”)

And then there’s the mass grave into which Mozart’s corpse is dumped. This depiction does not fit the facts of what is known about his death, but it makes sense if read as an indictment of Soviet practices – the effacement of individual identity and literal mass murder. Grim excavations of these pits continue to this day. Forman, whose own parents perished in Nazi concentration camps, understood the power of this imagery.

Alamy Critics of the best-picture-winning film have repeatedly pointed out its historical inaccuracies (Credit: Alamy)Alamy

Critics of the best-picture-winning film have repeatedly pointed out its historical inaccuracies (Credit: Alamy)

Jeff Smith, author of Film Criticism, the Cold War, and the Blacklist, tells the BBC that Mozart’s struggle against the status quo tapped into Forman’s own frustrations with Soviet censorship. “The emperor’s fatuous judgment about Mozart’s opera ‘too many notes’ is just the kind of accusation that was used as a cudgel used against avant-garde artists and thinkers to imply their work isn’t pleasant or edifying to Soviet ears. Mozart’s enraged incredulity in that scene must have mirrored Forman’s own longstanding contempt for Soviet stagnation and repression.”

Amadeus behind the Iron Curtain

Shooting took place in 1983 over a six-month period in Prague, which had the virtue of offering basilicas, palaces and cobblestone squares virtually unchanged since the late 18th Century. Even with Soviet power waning, however, Czechoslovakia remained part of the Eastern bloc and Forman was still persona non grata, so a deal was struck: the director would refrain from meeting with political dissidents, and the regime would allow friends of Forman to visit with their repatriated prodigal son.

Forman’s own recollections from the shoot centred on the travails of Soviet interference. His landlady warned his phone is bugged. Informers lurked in every room. Two unmarked cars tailed him everywhere, which seemed redundant since his own driver was also a secret agent. In his autobiography, Turnaround, Forman is just shy of explicit about the degree to which themes of Soviet repression leaked into Amadeus. “As it had to be in the socialist Prague,” he wrote, “the spirit of Franz Kafka presided over our production”.

Perhaps even more telling is a story he recounts of negotiating with the general director of Czechoslovak film, Jiří Purš, who, as Forman recounted, wanted absolute assurance that the Communist Party would have nothing to fear: “I assume that politically there is nothing in the script that they could hang their hats on?” Forman’s reply is a model of plausible deniability and acid irony: “Look, it’s about Mozart!”

F Murray Abraham felt the strain of coercive scrutiny as he was traveling back and forth to the United States to shoot his role in Scarface (1983) while Amadeus was in production in Prague.

Abraham tells the BBC, “At the end of every shooting day I had to cross the border to get to the airport in Vienna to return to Hollywood. At the checkpoint, the Czechoslovak Police would make us sit idle at the gate, just as a way to throw their weight around, make you know who’s in charge. That sense of bullying and intimidation was everywhere, and even when the Czech people responded with subversive humor, the strain was palpable. We never forgot for a minute that we were under communist surveillance.”

That tension between the US crew and Soviet agents finally burst out into the open on 4 July. The production was shooting an opera scene, and the crew arranged so that when Forman yelled “action” a US flag unfurled and the national anthem played in lieu of Mozart’s music. Some 500 Czech extras burst forth into emotional song, in effect revealing their sympathies with the West. But not all of them.

Forman recalled, “All stood up – except 30 men and women, panic on their face, looking at each other [asking] what they should do. They were the secret police, dispersed among the extras.”

Alamy In the film, Joseph II, absolute ruler of the Habsburg monarchy, is advised at court by a clutch of prudish sycophants who undermine Mozart's achievements (Credit: Alamy)Alamy

In the film, Joseph II, absolute ruler of the Habsburg monarchy, is advised at court by a clutch of prudish sycophants who undermine Mozart’s achievements (Credit: Alamy)

As Amadeus continues to be reassessed at its 40th anniversary, the significance of the Cold War looms ever larger. Paul Frazier, author of The Cold War on Film, tells the BBC that the film brilliantly tapped into a deep vein of Soviet envy: “Salieri is the Soviet Lada trying to be a Ford Mustang. He can’t be as great as Mozart, so he resorts to undermining and manipulating him. This too was the approach of the old USSR towards the West: rather than being better than the West, the Soviets resorted to undermining and discrediting the West at every turn.”

Historian Nicholas J Cull echoes that analysis. “Think of the Jonathan Swift line: ‘When a true genius appears in the world, you may know him by this sign, that the dunces are all in confederacy against him.’ Whether it’s the 1780s or 1980s, what you have is true genius facing off against mediocre, conniving bureaucrats. You see this same dynamic at play in a Cold War film like last summer’s Oppenheimer, which in some ways is Amadeus with A-bombs. It makes sense that refugee film-makers like Forman and his creative team would be drawn to tell an allegory of communist mismanagement.”

Not everyone is sold on the idea that Amadeus wrestles with Soviet totalitarianism. Kevin Hagopian, a media studies professor at Penn State University, says there’s a risk of allegorising everything as an unseen Soviet menace, which ends up making art a mere handmaid to politics.

“That ultimately becomes a depressingly narrow way to appreciate the dazzling beauty and emotional breadth of Mozart’s music,” Hagopian tells the BBC. Nevertheless, he adds, we can’t ignore the political resonances. 

“The allegorical space that satirical Czech film-makers like Forman opened up meant that audiences began to look for, even perhaps invent, allegorical political meaning,” he says. “All films could be read against the grain of a regime that lacked not only humanity but any sense of irony about itself. So if Amadeus wasn’t really about Soviet-style tyranny, but audiences merely thought it was, well, I have a feeling that would be just fine with Miloš Forman.”

For his part, Abraham is candid about what he believes are the more contemporary political stakes of the film, as he told the BBC in June. “Think about how many Americans now idolise Putin. These autocrats are suddenly celebrated again. It’s disheartening, truly demoralising, but if Amadeus can help us see our current predicament through fresh eyes, that shows you how powerfully its message still resonates.”

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Oklahoma vs Auburn channel today, time, TV schedule, streaming information

Oklahoma vs Auburn channel today, time, TV schedule, streaming information

The No. 18 ranked Oklahoma football team will face Auburn on the road on Saturday at 2:30 p.m.

This is the first SEC road game for OU (3-1, 0-1 SEC), which began conference play with a 25-15 home loss to Tennessee in Week 4. Auburn (2-2, 0-1 SEC) is also looking to get back on track after a 24-14 home loss to Arkansas.

Here’s how to watch today’s OU vs. Auburn game, including time, TV schedule and streaming information:

Watch Oklahoma vs. Auburn Live with Fubo (Free Trial)

What channel is Oklahoma vs. Auburn on today?

TV channel: ABC

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Rajinikanth talks about Vettaiyan; compares TJ Gnanavel’s police film with Darbar starring Nayanthara

Rajinikanth talks about Vettaiyan; compares TJ Gnanavel’s police film with Darbar starring Nayanthara

Legendary actor Rajinikanth, who is gearing up for the release of his highly anticipated film Vettaiyan, was spotted outside Chennai airport today (September 28). The Jailer actor interacted with people and spoke about how TJ Gnanavel’s direction will be different from that of him and Nayanthara starrer Darbar.

Talking to the media about Vettaiyan, Rajinikanth said, “Vettaiyan has a lot of expectations from the audience, I definitely hope the film will fulfill their expectations. Both Darbar and Vettaiyan are crime films, but Vettaiyan will be very different from Darbar” (loose translation)

For the unversed, Rajinikanth’s upcoming film Vettaiyan tells the story of an IPS officer who is considered an encounter specialist in the police force. Directed by TJ Gnanavel, the film is said to be a typical Rajinikanth-style action film with the superstar once again essaying the role of a police officer.

On a related note, in an earlier interview with 123 Telugu, the film’s director shared that Rajinikanth will be seen in numerous action sequences and songs, bringing the much-needed spectacle to the screen once again.

Filmmaker TJ Gnanavel said, “After the huge success of Jailer, expectations from Rajini have increased a lot. Vettaiyan will also have songs and fights. But I didn’t deviate from what I wanted to convey. We’ve seen movies about encounter specialists before, but we’ve never seen their backstories. Vettaiyan sheds light on her thought process.”

Apart from Rajinikanth, Vettaiyan stars Amitabh Bachchan, Fahadh Faasil, Rana Daggubati, Manju Warrier, Rithika Singh, Dushara Vijayan, Abhirami and many more in pivotal roles. It is worth mentioning that the film marks the reunion of Thalaivar and Amitabh Bachchan after 33 years. The film is scheduled to hit theaters on October 10, 2024.

Meanwhile, Rajinikanth will also be seen in Coolie, directed by Lokesh Kanagaraj, alongside Vettaiyan. The film is expected to be an action film and will feature veteran actors like Nagarjuna Akkineni and Upendra Rao. Coolie will also star Shruti Haasan, Sathyaraj and Soubin Shahir in pivotal roles.

READ ALSO: Amid massive uproar, Rajinikanth finally REACTS to the ongoing Laddu controversy

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The University of Wisconsin fires the porn industry’s former chancellor, who wanted to stay on as a professor

The University of Wisconsin fires the porn industry’s former chancellor, who wanted to stay on as a professor

The University of Wisconsin Board of Regents voted unanimously Friday to fire a communications professor who wanted to keep his job after he was fired as chancellor of one of the system’s campuses for producing pornographic films. Joe Gow, who had served as UW-La Crosse’s chancellor for nearly 17 years, argued last week that he should be retained in a teaching position on campus. But the university’s lawyers argued that he behaved unethically, violated the terms of his employment contract, damaged the university’s reputation and compromised its mission. The regents met in closed session Friday morning before publicly voting to fire Gow. There was no public discussion before the board vote. Gow said he is considering filing a lawsuit to keep his teaching job. He did not immediately respond to a message Friday morning. Gow has been on paid leave from his faculty position since the regents fired him as chancellor in 2023, shortly after university leaders became aware of the videos posted on pornographic websites. The case has drawn national attention both for the salaciousness of a high-ranking university official making pornographic films and speaking publicly about them and for the questions it raises about free speech rights. Gow argued that his videos and two e-books he and his wife Carmen have published about their experiences in adult films are protected by the First Amendment. The university’s attorney argued that Gow’s videos themselves were legal, but that they were not protected by his employment contract. Zach Greenberg, an attorney at the free speech advocacy group Foundation for Individual Rights and Expression, called the regents’ decision “a major blow to…” academic freedom and the right to free speech.” “FIRE has said time and time again: Public universities cannot sacrifice the First Amendment to protect their reputation,” Greenberg said. “We are disappointed that the UW has caved to donors and politicians by alienating a tenured professor.” Republican lawmakers already view the Wisconsin university system as a liberal incubator. Last year they forced the company to scale back its diversity initiatives. System President Jay Rothman has tried to avoid further angering conservatives as he seeks approval for an $855 million increase in the next state budget. Gow’s hope of teaching in the classroom again was rejected by his department head, Linda Dickmeyer. She said because Gow hasn’t taught in 20 years, he will be assigned general education courses, but she refuses to allow him to return to teaching in any role. Gow was criticized in 2018 for inviting porn actress Nina Hartley to give a talk on campus. She received $5,000 from tuition fees for her performance. He came up with the idea of ​​bringing her to campus after filming a pornographic video with her, the university said. Gow and his wife’s e-books were written under the pseudonyms “Monogamy with Benefits: How Porn Enhances Our Relationships” and “Married with Benefits.” Our real-life adventures in the adult industry.” But they also star in a YouTube channel called “Sexy Healthy Cooking,” in which the couple cooks meals with porn actors.

The University of Wisconsin Board of Regents voted unanimously Friday to fire a communications professor who wanted to keep his job after he was fired as chancellor of one of the system’s campuses for producing pornographic films.

Joe Gow, who served as UW-La Crosse’s chancellor for nearly 17 years, argued last week that he should retain a teaching position on campus. But the university’s lawyers argued that he behaved unethically, violated the terms of his employment contract, damaged the university’s reputation and compromised its mission.

The regents met in closed session Friday morning before publicly voting to fire Gow. There was no public discussion before the board vote.

Gow said he is considering filing a lawsuit to keep his teaching job. He did not immediately respond to a message Friday morning.

Gow has been on paid leave from his faculty position since the regents fired him as chancellor in 2023, shortly after university leadership became aware of the videos posted on pornographic websites.

The case has drawn national attention both for the salaciousness of a high-ranking university official making and speaking publicly about pornographic films and for the questions it raises about free speech rights.

Gow argued that his videos and two e-books that he and his wife Carmen published about their experiences in adult films were protected by the First Amendment. The university’s attorney argued that Gow’s videos themselves were legal, but that they were not protected by his employment contract.

Zach Greenberg, an attorney with the free speech advocacy group Foundation for Individual Rights and Expression, called the regents’ decision “a major blow to academic freedom and the right to free expression.”

“FIRE has said time and time again: Public universities cannot sacrifice the First Amendment to protect their reputations,” Greenberg said. “We are disappointed that the UW has caved to donors and politicians by alienating a tenured professor.”

Republican lawmakers already view Wisconsin’s university system as a liberal incubator. Last year they forced the company to scale back its diversity initiatives. System President Jay Rothman has tried to avoid further angering conservatives as he seeks approval for an $855 million increase in the next state budget.

Gow’s hope of teaching in the classroom again was rejected by his department head, Linda Dickmeyer. She said that because Gow had not taught in 20 years, he would be assigned general education courses, but she declined to allow him to return to teaching in any capacity.

Gow was criticized in 2018 for inviting porn actress Nina Hartley to speak on campus. She received $5,000 from tuition fees for her performance. The university said he came up with the idea of ​​bringing her to campus after filming a pornographic video with her.

Gow and his wife’s e-books were written under the pseudonyms “Monogamy with Benefits: How Porn Enhances Our Relationships” and “Married with Benefits – Our Real Adventures in the Adult Industry.” But they also star in a YouTube channel called “Sexy Healthy Cooking,” in which the couple cooks meals with porn actors.

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Hurricane Helene’s impacts felt wide and far around Florida

Hurricane Helene’s impacts felt wide and far around Florida

Support local journalism with a digital subscription for as low as $1 a month for the first 12 months.

Lee County is in recovery mode from the impacts from Helene today (Sept. 27). There was significant storm surge all over the county, from Fort Myers Beach to downtown Fort Myers, Cape Coral, Sanibel, Pine Island and Matlacha.

This is continues to be developing story and our reporters and photographers are providing coverage from different locations in Lee County again today, contributing the latest updates on flooding, damage, power outages, and what you need to know.

Helpful links

POWER OUTAGES: LCEC power map is HERE.

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Vance and Walz face off in the vice presidential debate, marking a key moment in political ascendancy

Vance and Walz face off in the vice presidential debate, marking a key moment in political ascendancy

When the drama died down, Vance used his next question to call out Mandel for instigating the drama. “What a joke,” he said to applause.

It was seen as a pivotal moment for Vance, who at that point was struggling to gain traction in the crowded primary.

“He looked a lot better than me,” Gibbons recalled in an interview with the Globe. “He said exactly the right thing at the right time. And honestly, he went up in the polls after that.”

Walz, who has won a series of closely contested U.S. House elections and two statewide contests for governor of Minnesota, has faced sharp attacks before but often ignored them or tried to deflect them with deceptively sharp humor.

In 2018, his first run for governor, Walz faced sustained pressure from his Republican opponent Jeff Johnson, who repeatedly pointed out that Walz did not fully answer sensitive questions about undocumented immigration and single-payer health care.

In one memorable moment, Johnson pressed Walz about his knowledge of TV attack ads from Alliance for a Better Minnesota, a key outside group that supports the Democrat, which Republicans called dishonest.

“Here’s my pro tip, Jeff,” Walz quipped. “I haven’t watched TV for the last two weeks.” He then defeated Johnson by more than 10 points.

The fight should remain strict verbally as Vance and Walz meet for their only vice-presidential debate in New York – a moment that will highlight that dramatic political rise of both men.

Vance, a relative political newcomer with less than two years in the Senate, is sharp and relentless in his message and has a keen sense of how to exploit a moment. Walz, completely new to the national stage despite his nearly two decades in office, is a seasoned debater who doesn’t enjoy going on the offensive. Instead, he uses his disarming personal style to connect with the audience and outwit his opponents.

Ultimately, both candidates probably understood their task on Tuesday: It’s not about sharpening their own profile and winning votes for themselves, but about standing up for the top positions. The task has taken on greater importance because former President Donald Trump and Vice President Kamala Harris are unlikely to debate again before Election Day.

Nevertheless, there is plenty of reason for the two to argue. Democrats may want Walz to be in the spotlight a series of controversial comments Vance has made about “childless cat ladies,” his previously strong opposition to Trump, or his fomenting right-wing panic about Haitian migrants in Ohio. Republicans are eager for Vance to thwart what they see as Walz’s left-wing agenda as governor and for him to analyze occasional misstatements Walz has made about his military career.

Sen. Tina Smith of Minnesota, a longtime Walz ally, said Walz’s strength in big moments has always been that he is “relentlessly grounded.”

“Tim is so focused on who he is that when he moves into a different environment, like a national debate, he doesn’t try to become anything else,” Smith said. “He debated in farm fields, at fair stands and in many other places. I have no doubt he will be willing to argue the case.”

Walz always seemed more comfortable making off-the-cuff remarks at rallies and in one-on-one interviews than fighting an opponent. The governor’s messaging skills are a big reason for his rapid rise from relative obscurity. Before Harris was elected, his use of “strange” as a succinct attack on Trump and Vance was adopted by the entire party. His appearances on cable television greatly increased his share of VP discussions. Since his appointment as vice president, however, Walz has not given a single interview with a mainstream media outlet, while Vance has been inescapable.

Still, Democrats see Walz as well-equipped to counter sharp attacks from Vance. Marissa Luna, executive director of the Alliance for a Better Minnesota, said Walz’s authenticity and warmth are what have endeared him to voters so far.

“What we’ve seen from Trump, JD Vance and the Republicans are these really mean and crude personal attacks,” Luna said. “What Tim Walz has done consistently, and what he does well, is he doesn’t make these really inappropriate, personally demeaning attacks – he explains what his opponent has done to hurt people in their daily lives, which is backed up by him.” Proof.”

While Democrats are pleased that Walz is contrasting Vance in both content and style, Republicans see Vance as particularly well-prepared to counter the governor. They praise his instincts and intellect and demand that he be as aggressive as possible.

“JD Vance versus Tim Walz is like Mike Tyson versus a junior Olympian in a boxing match,” said Josh Culling, a Vance ally who has long been involved in Ohio GOP politics. “That’s why he’s here.”

Moments like Vance’s spread of debate combat on stage helped him stand out in a crowded 2022 GOP primary. In the general election, Vance struggled to defeat his Democratic rival, former Rep. Tim Ryan.

But Republicans recall a key exchange at a debate when Ryan Vance – who had expressed fears that an “invasion” of migrants would “replace” voters already here – linked him to the white supremacist gunman who had just killed ten black shoppers in a supermarket in Buffalo, New York.

The typically even-tempered Vance responded angrily, citing his three children with his Indian-American wife.

“This is exactly what happens when the media and people like Tim Ryan accuse me of engaging in some grand replacement theory,” Vance said. “What is happening is that my own children – my biracial children – are being attacked online and in person by scumbags because you are so desperate for political power that you accuse me, the father of three beautiful biracial babies, of racism. We’re tired of it. You can believe in a limit without being a racist.”

Moments like these show Vance’s advantages, Culling said. “He is a critical thinker who is battle-tested – he has ideas and has had to defend them time and time again, often against unfair criticism. He is a willing fighter for these ideas, he really enjoys it.”

There appears to be a desire among some Republicans for Vance, a skilled debater, to poke holes in the Harris-Walz agenda in a way that Trump failed to do during the big presidential debate, when he frequently used personal insults and random ones secondary damage was distracted.

“I think he’ll handle himself a lot better than Trump,” Gibbons said. “I texted him and said, ‘I’m sure there are people more qualified than me to advise you, but let the JD Vance I know come through because that’s what people want see.'”

Democrats like Smith acknowledge that Vance is “political” as a debater, but claim Walz has proven he is no pushover.

“The thing about Tim is he’s going to be himself,” she said. “That’s why the Americans found him so likeable. It’s not about being perfect, it’s about being real.”


Sam Brodey can be reached at [email protected]. Follow him @sambrodey.

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8 Practical Apps for iPhone Mirroring in iOS 18 and MacOS Sequoia

8 Practical Apps for iPhone Mirroring in iOS 18 and MacOS Sequoia

Is Apple’s new? iPhone mirroring function actually makes sense in the latest versions of iOS and MacOS? No matter where your iPhone is nearby – in another room where it’s charging or buried at the bottom of a bag – you can see and control it from your Mac.

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Aside from the sheer convenience of not having to pick up the phone, I’ve found several reasons to use iPhone mirroring. In fact, I find myself using it regularly on my iPhone 16 since the release of iOS 18 and MacOS Sequoia. (And if you run this latest betaslets you experiment with one of the most interesting mirroring features, the ability to drag and drop items directly onto the phone and vice versa.)

Read more: How to control your iPhone from your Mac using iPhone mirroring

iOS 18 and MacOS Sequoia are available now and bring a variety of other features, such as: animated text messages and the ability to do so Customize your iPhone’s home screen.

Check this out: iPhone Mirroring comes to Macs with MacOS Sequoia

When your iPhone is in a pocket, purse or other room

The simplest use case is when you want to access something on your phone but it’s buried in a bag, just out of reach, or you can’t get up (or you can, but the snoozing cat or dog on your lap would don’t do that). I don’t appreciate the disruption). The connection via iPhone mirroring is much more convenient.

A MacBook Pro in the foreground is wirelessly connected to an iPhone in a case in the background via iPhone Mirroring. A MacBook Pro in the foreground is wirelessly connected to an iPhone in a case in the background via iPhone Mirroring.

iPhone mirroring on macOS Sequoia and iOS 18 lets you access your iPhone even when it’s in a bag or out of reach.

Jeff Carlson/CNET

However, this feature doesn’t work over long distances, such as if you accidentally left your iPhone at home and need to access it from work. iPhone mirroring uses Apple’s Continuity technology, which means the iPhone and Mac must be within Bluetooth range of each other.

If you need to check in via an iPhone app

Missed your daily Duolingo check-in and your phone isn’t at hand? If this is the case with your Mac, iPhone Mirroring can connect and ensure you keep your streak going.

Or maybe you need to complete today’s Wordle challenge, but while you’re working it would be too obvious that you’re looking at your phone. The discreet iPhone Mirroring window can be easily covered or hidden if necessary.

iPhone Mirror Why Duolingo iPhone Mirror Why Duolingo

Keep your Duolingo streak going even when your phone isn’t nearby.

Screenshot by Jeff Carlson/CNET

If you want to use an app, not a web interface

Even today, some popular services still work much better in apps than in web interfaces. Yes, we’re looking at you, Instagram. Posting through an app often includes more options or a better user experience. Because iPhone mirroring gives you almost complete access to the iPhone interface, you can post with a mouse cursor instead of a finger.

An iPhone mirrored on macOS using iPhone Mirroring shows CNET's Instagram profile page. An iPhone mirrored on macOS using iPhone Mirroring shows CNET's Instagram profile page.

Apps like Instagram offer more features than their web counterparts.

Screenshot by Jeff Carlson/CNET

If you want to quickly transfer items between devices (coming soon)

I take a lot of screenshots for work and personally take even more photos, all of which end up in my photo library. These images are then synced to my Mac via iCloud – but sometimes it seems to be at a pace aptly described as “when the phone gets around to it.” If I need something on my Mac immediately, I use AirDrop between devices, which It works, but it’s more complicated than I’d like.

Later this year, however, we’ll be able to drag and drop all types of files – not just images – between an iPhone and the Mac running the iPhone Mirroring app. This also works both ways: Drop a video or important PDF file from a Mac Finder window onto the mirrored iPhone to transfer it to the phone. (You can play with it now Beta versions for iOS 18.1 and MacOS Sequoia.)

A Mac laptop next to an iPhone on a stand, with hands using the trackpad to drag a file from MacOS Finder to the iPhone via iPhone Mirroring. A Mac laptop next to an iPhone on a stand, with hands using the trackpad to drag a file from MacOS Finder to the iPhone via iPhone Mirroring.

Drag and drop files from Mac to mirrored iPhone and vice versa.

Apple/Screenshot by Jeff Carlson/CNET

If you don’t want to clutter up your Mac with software junk

MacOS has a long history of supporting system extensions, startup items, and various background processes that you probably don’t realize are running most of the time. For example, some large application suites distribute these accessory files like a dropped Lego box. In many cases, resource consumption is negligible, but these parts still consume memory and processor power.

In contrast, iOS has always been built as a siled system, with each app having its own protected storage and tightly controlled routes for interacting with other apps. Especially for apps that you don’t use often but need to keep, you may want to install a mobile version to avoid the app creep that occurs on macOS.

iPhone Mirroring offers you the opportunity to continue using such an app on your Mac without infecting MacOS with all the associated junk that is normally installed.

If you want to log in to your bank’s app instead of doing so on the computer

Unfortunately, some of these suggestions focus on the theme of “an app is better than a website,” and there is often no better example than banking websites.

It can be easier and more secure to access your bank accounts or investments by using iPhone Mirroring to sign in with the iOS app instead of a web browser on your Mac. You’ll still need to authenticate the iPhone app when you open it (since you can’t use Face ID or Touch ID on the device), but that might be a more convenient option.

An iPhone mirrored on a macOS screen with the Bank of America app. An iPhone mirrored on a macOS screen with the Bank of America app.

Use safe apps that are only available on your phone, such as: B. the Bank of America app.

Screenshot by Jeff Carlson/CNET

If you want to access locked and hidden apps on your phone

In iOS 18, you can hide sensitive apps or require authentication (e.g. Face ID) to open them. If you’d rather use them on your phone rather than through an app or web interface on your Mac, iPhone Mirroring lets you access them when the phone isn’t nearby.

If you do this, the iPhone Mirroring app will require authentication via Mac, as expected. Enter your Mac’s login password, use Touch ID, or authenticate with your connected Apple Watch to open locked apps or reveal the hidden folder on your phone.

Three iPhone mirroring screens show the process of clicking on the hidden folder, entering your password to authenticate, and then visible apps in the folder. Three iPhone mirroring screens show the process of clicking on the hidden folder, entering your password to authenticate, and then visible apps in the folder.

Access the hidden app folder via iPhone mirroring.

Screenshots by Jeff Carlson/CNET

If you are giving a presentation and want to show what is on the iPhone

Admittedly, this is a smaller subset of use cases, but if you need to demonstrate something on iPhone during an online or in-person presentation, iPhone Mirroring is a far easier option than other methods.

Aside from installing an overhead camera, the predominant method is to connect the iPhone to a Mac via a cable and use QuickTime Player to display the phone’s screen. Then you would still have to use the phone with your hands.

With iPhone Mirroring, the phone can now be connected wirelessly and operated using your Mac’s trackpad or mouse and keyboard.

The main limitation with this approach is that the mirrored connection will be interrupted if you need to do something on the phone.

And a streaming restriction that we would like to see changed

An unknown feature between Apple devices is the ability to stream media from an iPhone to a Mac using AirPlay. Is it time to sit back and watch a movie or catch an episode of your favorite TV show? You can launch it on iPhone and target Mac with its larger screen.

Since iPhone mirroring allows you to control an iPhone that is out of reach, it would be nice to start a movie playing on the Mac screen. However, digital rights management kills this idea when it comes to iPhone mirroring. Even though you can open an app like TV and start a show, the picture remains black.

Netflix logo on the phone Netflix logo on the phone

Netflix appears as a black screen when you try to use it via iPhone mirroring.

James Martin/CNET

This black screen also occurs when you use AirPlay to stream while iPhone mirroring is active. This only works if you physically control the phone and stream to the Mac.

iPhone Mirroring is just a new feature on iPhone and Mac running iOS 18 and macOS Sequoia. Don’t miss it How to spice up your texts in messages and how to work with the updated Control Center.